Hotel Design
By Henry Petroski
Henry Petroski explores the inevitable compromises of design, using Edinburgh's Point Hotel as an example
Henry Petroski explores the inevitable compromises of design, using Edinburgh's Point Hotel as an example
DOI: 10.1511/2003.38.490
Design is ubiquitous, for everything deliberately made and done is necessarily designed. Sometimes the design is quite overt, as when a painter composes a landscape according to received aesthetic principles, or a poet shapes a sonnet following a strict form. Other designs are less obviously or less explicitly thought about, as when a person adjusts water flow from a faucet to achieve the preferred temperature or when we walk along familiar streets to reach a destination. The word design has a plethora of denotations and connotations, and it is to this multiplicity of meanings that we owe at least in part the confusion and ambiguity that often accompanies the word's use. Even within the relatively narrow scope of the activity of professional designers, design means different things in different contexts.
Photograph courtesy of Edinburgh Contemporary Architecture, http://www.edinburgharchitecture.co.uk
Click "American Scientist" to access home page
American Scientist Comments and Discussion
To discuss our articles or comment on them, please share them and tag American Scientist on social media platforms. Here are links to our profiles on Twitter, Facebook, and LinkedIn.
If we re-share your post, we will moderate comments/discussion following our comments policy.