It comes as no surprise that jaw position affects the sound of
words that people produce. The jaw moves during speech, so
it's logical that the process isn't entirely dictated by
throat shape, for instance. But might people's facial
position affect how they hear as well? A study led by
Takayuki Ito of Haskins Laboratories at Yale University, as
reported at the November meeting of the Acoustical Society
of America, has determined that, indeed, manipulating the
skin around the mouth area alters how people hear words. The
explanation for this phenomenon may contribute not only to the
understanding of how we speak and hear, but also how we learn
verbal information.
In their experiment, Ito and his Haskins colleagues Mark
Tiede, also of Massachusetts Institute of Technology, and
David Ostry, also of McGill University, used recordings of
the words "head" and "had." They
electronically manipulated the two words to create 10
intermediate steps through which one word gradually morphed
into the other. Listeners heard one of these steps at a
time, in random order, and were asked to decide whether the word
sounded more like "head" or "had."
Once they had established this baseline, the listeners had
small plastic tabs affixed to either side of their mouths,
attached by a wire to an automated device that would tug
their facial skin either upwards, backwards or downwards, at
the same time a word was played.
Although the magnitude
of the effect was subtle, the investigators found that skin
stretching altered the steps that the listeners identified
as "head" or "had" to a significant
degree. The direction of stretching was vital. When the skin was
stretched upward, the words sounded more like "head,"
whereas downward stretching made the words sound more like
"had." Backwards stretching had no effect.
"The direction of skin stretching that affected hearing
corresponded to the position the jaw would take when the person
produced these words," explains Ostry. The jaw is in a
higher position when a person says "head," and a
lower one during "had." Ostry and Ito speculate
that the brain may be taking nerve cues from the face that
normally occur with jaw movement during speech production
and combining them with the auditory information to give a
perceived sound that blends the two kinds of sensory
information.
"The pattern of deformation of the facial
skin also has to increase and then decrease as would happen
when you're talking, or else the effects aren't
present," Ostry says. "The nervous system is able
to use this cutaneous deformation only when it has the same
pattern that would ordinarily accompany speech."
Fooling the auditory centers of the brain with other sensory
information is not without precedent. In a phenomenon called the
McGurk Effect, when listeners are played the syllable
"ga," but are simultaneously shown a face saying
"ba," perceptually they hear "da," a sound
somewhere in between what they were played and what they
saw.
To understand why jaw movement might affect hearing,
consider that when people learn a new word, they often
repeat it, or mouth a word silently when they are trying to
remember it. "When children learn to talk, they develop
some expectations about what they want the sounds to be, and
what the movement should be as well," says Ostry. This
could help explain why people who go deaf in adulthood can
speak intelligibly long after they can't hear themselves.
Ostry has recently studied adults with cochlear implants.
With their devices turned off, the patients were asked to
repeat a word while a robotic device applied a small force
to their jaws. "With practice they adapted and
corrected for the forces that were making their speech
movements somewhat unnatural, even though they couldn't hear
their speech to begin with," says Ostry. "To us it
underscores the fact that the nervous system, in producing
speech, is apparently just as concerned about getting the
movements right as it with generating the appropriate
sounds."
Increasingly, Ostry says, researchers
recognize that there is this link between action and
perception. "We're applying a pattern of skin
deformation that would normally accompany production, yet
this is something that affects the way in which people hear
speech sounds. We're realizing, not just in speech but in
work on limb movement as well, that the distinction between
sensory and motor areas of the brain is blurred."
Ostry and Ito hope that this work may be beneficial to speech
therapy. Movement training may be particularly useful in helping
those who stutter, Ostry suspects. "Given that our
manipulation produces perceptual effects," he says,
"I think there is the potential to use it as a kind of
augmentative strategy for dealing with perceptual
disorders."—Fenella Saunders